Great article. I first saw Takashi Miike's "13 Assassins" last year at The Picture House in Pelham, where the "projectionist" came into a small auditorium and popped a Blu-Ray into a player. A projector hanging from the ceiling gave us an eye-popping (if relatively smaller) viewing of the film, with crisp, dynamic sound.
I was eager to see it again a week later, so I went to Cinema Village, where it was projected in 35mm, and had to ask for my money back. Dark, muddy, greyish transfer to film. And I'm with you, Fred, on the "Blade Runner" final cut. Peeped that at New York Film Festival in '07 and simply could not believe my eyes. We're at the point where digital can bring out what was always there and brush away what was always present but never wanted.
That said, the "Five Easy Pieces" example Miranda cites points to a danger, of the digital controls making certain design elements drown out the whole-- similar to a bad sound mix on a song, where production bells and whistles diminish the vocals. It's not the technology, but the heaviness of the hand that uses it.
Posted on March 17th, 2012 12:27pm