Japanese poet-turned-filmmaker Sion Sono is an acerbic and cynical artist whose works are all personal, complex and fiercely independent.
Most Americans who are familiar with his work know him for one of two films he directed.
If you remember the recent bygone days of the J-Horror craze, when films like The Ring and The Grudge seemed to be everywhere, you might know Sono as the guy who made Suicide Club, a freakishly smart and also seriously unnerving horror-mystery. Noriko’s Dinner Table, a companion and quasi-sequel to Suicide Club, screens this Friday night at the Museum of Arts and Design in Manhattan.
If you don’t care about Japanese horror films, you probably know Sono as the director of Love Exposure, a four-hour epic love story about two alienated teens whose families and respective religious faiths disintegrate before they learn to become self-aware and self- reliant. More
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By Simon Abrams
on October 14th, 2011 4:46pm