Simon Abrams

'What About Bob,' and other things only Bill Murray can get away with :

Bill Murray might be America's favorite celebrity prima donna.

Bio: Simon Abrams writes about comics, books and movies for The Comics Journal, L magazine, The New York Press and Slant Magazine. You can find a lot of his writing here.

Latest Activity:

Article

The New York Asian Film Festival keeps getting better

Rather than rest on their laurels, the film curators of Subway Cinema have booked another slate of risky and exciting titles for the New York Asian Film Festival. More

Postedsdf

on June 29th, 2012 8:14am

 
Article

See Richard Pryor 'Live,' at midnight

On Friday and Saturday nights this summer, Film Society at Lincoln Center is doing midnight screenings of a mix of standard cult titles, like Evil Dead II and Lifeforce, and relatively obscure fare, like The House by the Cemetery. This weekend's pick is the series' most eclectic one: a 35mm print of Richard Pryor: Live in Concert More

Postedsdf

on June 22nd, 2012 4:09pm

 
Article

After 'Django' came 'The Great Silence,' a spaghetti western about bounty killers in Utah

The John Ford western was the inspiration for many other genres and subgenres, especially horror and science fiction.

So it's fitting that Quentin Tarantino has named his new homage to the spaghetti western Django Unchained, after Django's titular antihero. Like Tarantino's films and the spaghetti western genre in general, Django is pure pastiche, a hybrid genre film pulled together from various other generic tropes. Django, directed by Sergio Corbucci, is a copy of a copy of a copy of a copy; it's a riff on A Fistful of Dollars, which in turn is a revisionist remake of Yojimbo, which is an homage to John Ford's westerns. More

Postedsdf

on June 16th, 2012 3:08pm

 
Article

Rock of Ages: Tom Cruise goes back in time again (and again)

At this point in his career, it's really impossible to tell who Tom Cruise thinks he is.

Cruise's decision to follow up Mission Impossible: Ghost Protocol, his most recent cinematic proof of life, by taking on the role of a has-been hair-metal rocker named Stacee Jaxx is an indication, if nothing else, that he's not overly concerned with extending himself. More

Postedsdf

on June 14th, 2012 12:32pm

 
Article

'Hickey and Boggs,' starring Cosby and Culp, shouldn't be so hard to find

Hickey: “Nobody came. Nobody cares. It’s still not about anything.” More

Postedsdf

on June 9th, 2012 4:22pm

 
Article

Todd Solondz on growing up, or not

It’s weirdly fitting that my recent phone interview with Todd Solondz began with a disappointing revelation and ended with an uplifting joke at my expense. Solondz, the writer and director of simultaneously provocative and deeply immersive black comedies like Happiness and Storytelling, has a new film out this week called Dark Horse. And for me, watching Solondz’s latest film was a pretty traumatizing experience. More

Postedsdf

on June 9th, 2012 2:54pm

 
Article

What Ridley Scott did to 'Hannibal'

Before Prometheus, the only sequel Ridley Scott had made was Hannibal.

Based on an utterly outre novel by Thomas Harris and (sort of) a script by David Mamet, Hannibal exists within a previously established universe. Anyone watching it already knew who Clarice Starling was. And they certainly already knew Hannibal Lecter.

Hannibal, which screens this Sunday night at the Film Society at Lincoln Center, is built on that foundation of knowledge. He and screenwriter Steven Zaillian thus made an ungainly but weirdly compelling follow-up to Jonathan Demme’s wholly superior Silence of the Lambs adaptation. More

Postedsdf

on June 2nd, 2012 3:14pm

 
Article

'Sleepness Night': French gangsters in a nightclub, moving fast

Sleepless Night, a hard-boiled Gallic action film, is similar to last year's Point Blank and 2006's Tell No One in that all three are French, all lean heavily on convoluted plot twists and reversals, and all favor frenzied action over considered choreography.

Kinetic, wild action is the thing in Sleepless Night, which recently played to a very receptive audience at the Tribeca Film Festival. More

Postedsdf

on May 13th, 2012 6:39am

 
Article

A fittingly massive presentation of Todd Haynes' 'Mildred Pierce'

Haynes's stunning adaptation originally aired on HBO in late March and mid-April of last year. It clocks in at a little less than six hours long. The Museum's screening is part of their "Fashion in Film Festival: If Looks Could Kill" series. But this isn't the first time they've screened all of Haynes's adaptation on a big screen. (They previewed the mini-series last year before it aired on HBO.) More

Postedsdf

on May 12th, 2012 7:11am

 
Article

'Marvel's The Avengers' soars, spectacularly, over a low bar

In The Avengers, a film whose full title is tellingly Marvel's The Avengers, geek-idol Joss Whedon has delivered a fitting climax to Marvel Studios' recent series of superhero adaptations. More

Postedsdf

on May 2nd, 2012 4:55pm