"There were so many dogmas involved," Clough told me at Saturday's opening. "There was [Clement] Greenberg’s dogma and then there was Michael Fried’s dogma, and then there was the conceptual artist with their rules. Everybody’s got their rules and my critical position is more of affirmation and inclusion. And so I’ve always retained a painterly approach—throughout storms of dogma and various points of view."
Bio: Melissa Smith is a writer living in Brooklyn. She received her graduate degree in journalism from Columbia University and works at the Metropolitan Museum of Art.