Hooterville was the town where first “Petticoat Junction” took place and then “Green Acres,”a world that gradually grew more and more surreal until finally vanishing in the “rural purge” of the ’70s, where networks “cancelled everything with a tree.”
Torkelson’s making it with Clara, nightly. “That’s juicy,” says Joan. “He can have her!” says Ken.
The real triumph of "Breaking Bad" was that even while it tied up all its loose ends, it still left us so many options about how to remember it.
We see him from the back, loading the pay phone with change, as though he’s playing the slots. It was so important to him that Uncle Jack know Hank’s name, but now he doesn’t know the name of man who is the new Hank. When asked who is making the call, he answers “Walter White?” unsure of the answer himself.
Jesse was so right when he told Hank that it didn’t make any difference what the plan was, the exact opposite would happen. It was all spelled out during their very first cook when Walt told Jesse, "the reaction has begun." Not even Walt can stop it. He tried to forfeit and still won. Hank ended up dead and he's alive.
After seeing Walt cycle through so many untruths, there’s a wonderful poetic justice in the lie that takes him down.
Jesse’s the wounded pet of "Breaking Bad" and whoever kills him is the one we will turn against for good.
What if "Breaking Bad" is actually a magical fable about a man who makes a wish for a bag of money? The wish comes true, except the money is cursed. As long as the money remains in the man’s home town, it can’t be spent on anything anyone actually wants. But whenever anyone tries to take the money elsewhere—to a place where it can be put to use—that person dies.
When Hank tells Skyler that Walt’s cancer is back, he doesn’t care about how this might affect her. When she refuses to just fall in line, he switches tactics. He pulls the emotion card, says no one is more important to him then Marie. Skyler recognizes what’s happening immediately. It’s what Walt does all the time.