ichi the killer
Takashi Miike's remake of 'Hara-Kiri' falls flat, even in 3D
Now playing at the IFC Center after a Cannes premiere, it is a remake of the 1962 film Hara-Kiri, directed by Masaki Kobayashi (The Human Condition, Samurai Rebellion). Where the original has all the symbolic directness and tightness of stage drama, evoking Sophocles as much as Noh and kabuki theater, Miike's alterations to the story make moral and aesthetic nonsense out of the material. Miike clearly intends this remake of a Japanese arthouse classic to give a patina of improbable respectability to his career, like if Quentin Tarantino were to remake a Merchant Ivory picture. But instead of putting a decisive stamp on the material, or simply paying homage, Miike overwrites and muddies it. More
