Herbert Muschamp
How 'The New York Times' controls architecture criticism in America, whoever its critic may be
All of these critics said that the idea that the entire architectural press had become caught up with the star architects, and object architecture, was not accurate; but that to the extent it was true, it was a monster the Times created over the last decade or more. The Times, the panelists seemed to agree, had the most influence over how the public perceived what was happening in architecture. And hiring Michael Kimmelman may make the pendulum swing too far the other way. More
(2)Has New York architecture missed its moment?
New York’s last great period of architectural achievement, during the 1950s and '60s, was bolstered by a massive postwar public works and jobs drive fueled with money from the federal government, which made possible public-facing projects like the United Nations complex and Lincoln Center. It was also a period in which architects like Frank Gehry, Mies van der Rohe, and Walter Gropius were designing buildings with distinct and memorable profiles, like the Guggenheim Museum, the Seagrams Building, and the Pan Am Building for corporate clients, in those days when expressions of corporate power on such a scale were applauded by the public with an almost jingoistic fervor. More
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