composition
Unsound Festival's third annual run finds the meeting point of the electronic and classical avant-garde
But the Unsound Festival, which is about to begin its third year in New York, marked itself out locally from the beginning by focusing more on sensibility than genre—one basically in line with the British avant-garde music magazine The Wire’s, heavy on electronic dance music but equally so in electroacoustic and modern classical. It’s a festival where D.J.s and orchestras are coequals, where subwoofer pressure is as important as composition. More
